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Melissa Pons

Melissa Pons

field recordist & sound designer

Category: Psychoacoustics

“Croaks, squelches, waterfalls”: The Guardian features Swedish Forest Textures

A very nice article by Harley Brown talking about environmentalism, ecology, the pandemic and the healing factors of nature sounds. It was lovely to talk to Harley… Read more ““Croaks, squelches, waterfalls”: The Guardian features Swedish Forest Textures”

April 21, 2020May 17, 2020 by melissa pons

The Foreign Condition – Conversation with Paulo Dantas on Listening Awareness, Sound Education & Field Recording

In February, Paulo Dantas, a composer, improviser and field recordist, visited Stockholm as a guest composer at Elektronmusik Studion, to master two new music releases (Eva Mitocondrial, by… Read more “The Foreign Condition – Conversation with Paulo Dantas on Listening Awareness, Sound Education & Field Recording”

April 2, 2016January 16, 2020 by melissa pons

Sound Design vs. Perception II: Law of Two-and-a-half

LAW OF TWO-AND-A-HALF (Walter Murch) Which sound designer hasn’t tried to sync a lot of the same objects in a scene to conclude it turned out to… Read more “Sound Design vs. Perception II: Law of Two-and-a-half”

July 17, 2012December 10, 2012 by melissa pons

Tridimensional Reproduction of Sound – Pure Stereo 3D audio™

Slightly out of the line here, nevertheless it might get us thinking how do we want to listen. Are we seeking for realistic sound experiences? This article… Read more “Tridimensional Reproduction of Sound – Pure Stereo 3D audio™”

June 1, 2012October 21, 2012 by melissa pons

Sound Design vs. Perception I: Punches, Kicks and Time

If we think about it… in most cases it all converges to, and probably all depends upon the punch / kick in a scene, just after it.… Read more “Sound Design vs. Perception I: Punches, Kicks and Time”

May 15, 2012July 17, 2012 by melissa pons

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